PLASTIC PRACTICE



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Exhibitions

Identity Crisis
In the Round, On the Flat
Aesthetics of Prosthetics

Symposia
Sightlines

Projects
Learning on the Line
Playwood
New Museum Addition
Hyperloop Headquarters
Seeing Double
Yield Tables

Publications
Association

Mixed Mannerisms / Identity Crisis Books

Teaching I (Select Seminar Courses)

The Back Wall
Mixed Mannerisms
Translating Elements

Teaching II (Select Studio Courses)
Hybrid Assemblages II
Geologies of Making
Hybrid Assemblages I
Traces of Extraction
Istanbul Mediatheque
A Chair, A House, A Signature

Info
About

Contact
Courses
Events
A Note
                                   PLASTIC PRACTICE


PLASTIC is an architecture, research, and academic practice by Cat Wilmes.

Nominally drawing from the plastic arts, its name reflects an understanding of architecture as a discipline engaged in the shaping of material, spatial, and visual form.

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Identity Crisis (2024)
Exhibition


Bibliowicz Gallery
Cornell University


Identity Crisis explores new approaches to architectural elements by surveying Ithaca’s built environment and proposing a series of eight artifacts derived from photographic documentation. Discrete components such as doors, windows, gutters, vents, and chimneys were analyzed, disassembled, and reassembled to produce novel building components. These hybrids begin to speculate on the possibility of new cultural and technical functions.

In his essay “Betwixt and Between,” anthropologist Victor Turner has shown that various indigenous societies used a method of “componential exaggeration” to estrange everyday objects and employ them as didactic tools for the young to learn from. He argued that the deformed statues and objects that certain indigenous societies used, like the American Omaha, were made to have their youth question fundamental notions of beauty, courage, danger, and leadership.

Similarly, the eight designs shown here, along with the student work of the seminars “Translating Elements of Architecture” from fall 2022 and “Mixed Mannerisms” from fall 2023 aspire to be didactic tools for students of architecture to question our aesthetic assumptions when it comes to assembling building elements. The artifacts are understood less as end products than processes of collective questioning using methods of photographic, formal, scalar, programmatic, and semantic manipulation.